popular culture
Â鶹Դ´ lecturer Marla Schulz examines the Broadway-musical-turned-film Wicked and how the movie musical endures.
Looking at two of Disney’s most famous female characters, Anna and Elsa, with a critical eye with CU lecturer Shannon Leone.
In a recently published paper, Â鶹Դ´ PhD student Cooper Casale interrogates Jim Halpert’s direct-to-camera gaze in The Office and its similarities to what he calls the ‘fascist look.'
In advance of Tuesday’s Major League Baseball All-Star game, Â鶹Դ´ history professor Martin Babicz offers thoughts on why some fans remain loyal to baseball’s perennial losers.
Â鶹Դ´â€™s chair of Cinema Studies and Moving Image Arts shares insights on Stanley Kubrick’s masterpiece ‘doomsday sex comedy’ and why the film is more relevant than ever.
Â鶹Դ´ theatre professor Bud Coleman reflects on Arthur Miller’s Pulitzer-winning play and why it’s a story that still has meaning.
Upon the 65th anniversary of the record label, Â鶹Դ´ prof says that from Taylor Swift to K-pop, ‘It’s all Motown; they are not creating anything new.’
Sixty years after The Beatles’ first appearance on ‘The Ed Sullivan Show,’ Â鶹Դ´ historian Martin Babicz reflects on their impact on U.S. culture and politics.
In honor of what would have been Al Capone’s 125th birthday, Â鶹Դ´ cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.
The film, which turns 50 this December, continues to leave a mark on Christians and the larger American public as both a horror film and a story about the battle between good and evil.